To the fury of her family, she leaves Gustave a priceless Renaissance painting called Boy with Apple .
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While Gustave is the star, the soul of the film belongs to Zero (Tony Revolori), the young lobby boy. Zero is an immigrant, a refugee from a fictional war-torn country whose family has been erased. In Gustave, Zero finds not just an employer but a surrogate father and a teacher. Their relationship defies the era’s rising tide of xenophobia. When the police accuse Zero based on his foreign appearance, Gustave defends him. When Gustave inherits a vast fortune, he tries to leave Zero nothing (assuming the boy will be fine on his own), only for Zero to later reveal that he used his own inheritance to buy the dilapidated hotel and preserve Gustave’s memory. The film’s closing lines—spoken by the Author: “To be frank, I think his world had vanished long before he ever entered it. But I will say: he certainly sustained the illusion with a marvelous grace”—apply equally to Gustave and Zero. Zero sustains the illusion by keeping the hotel open, a living monument to a dead friend. To the fury of her family, she leaves